Laura Murray Designs

July 2011

In This Issue:

  • Change background color
     
  • Add subtle texture
     
  • Mimic hand dyed look
     
  • Caring for your tools
     
  • On the Road

The Versatile Stencil Brush

I enjoy both gardening and textile art because both mediums give me the opportunity to play with colors, shapes and textures. Each medium has its own challenges, and the creative process is a series of problem solving challenges. In our household of two, my role is garden designer, pruner, and weeder. Husband Jim's role includes general repairs of all kinds, and the heavy lifting. The wood fence which serves as the backdrop for our garden has deteriorated significantly, so Jim is now applying his talents to designing and building a replacement, which is a great improvement over the old fence. Whether the design is about my garden, a quilt or a garment, my approach is to always begin with a beautiful focal point, then choose supportive and complimentary backgrounds.

Obtaining just the right color and texture for coordination with focal fabrics can become a frustrating challenge. Just as the gardener needs tools, we need tools for textile art. One of my favorite tools is the stencil brush, which helps me easily create the perfect fabric for my projects, avoiding the need for desperate dashes to the fabric store or dyeing more yardage.

Beyond Brush Stenciling

Naturally, the brush is great for stenciling, but there are several other applications which do not require a stencil. Have you ever been underway on a project, and couldn't find the "perfect" fabric for the border or binding, coordinating fabric for a garment, or felt that certain sections of a quilt design just weren't right? Stencil brushes can be used to alter the color of a fabric, add subtle texture or mimic hand dyed fabric — all without the use of a stencil.

Change Background Color

Changing colors  - before

Before

Changing colors - After

Background color enhanced
 

Changing colors - process

Here's how: The bamboo leaves were stenciled on a pink/orange batik with a paintstik stencil brush, but I wanted more blue in the background. I applied iridescent turquoise paint to my standard stencil brush and brushed directly over the entire fabric (including the stencil leaves) in a circular motion. Larger brushes work best, either 1/2" or 5/8" size. This process turned the background shades of blue and minimized the pink. The technique is similar to applying eyeshadow — just build up layers until you get the right effect.

Add Subtle Texture

Auriga star - before

Before

Auriga star - after

Background enhanced with both color and texture
 

Work in progress

Here's how: The Auriga star (instructions in my StarBuilder Inspirations book) was fused directly on a solid black fabric, but I wanted more dimension and texture for the background. Rubbing directly on the fabric with a paintstik caused strong colors and texture that fought with the star — not pleasing to my eye. The solution was to achieve a much softer effect by placing texture under the fabric, applying paint to a paintstik stencilbrush (iridescent purple, gold and turquoise used tocoordinate with the star colors) , and brushing directly on the fabric.

Tips: I've found that small, asymmetrical textures work well for this purpose. Here, I've used one of the plates from the Animal Skin set of rubbing plates. Yes, I know some of you react to the name of Animal Skins with "eewhew", but giraffe skin, snake skin, and elephant skin textures are excellent. As always, I use a Grip n' Grip no slip mat to help keep my plates from slipping.

Mimic Hand dyed Look

Batik effect on silk scarf

Enhanced white silk scarf

Here's how: This sample began as a plain white silk scarf. First, I gently brushed paint over the fabric with standard stencil brushes. Then, I placed my Fantasy Script (under the fabric and did another layer of soft rubbings to create a hand dyed look.

Tips: Dedicate a brush to each color (otherwise, you will get mud). Make sure the work surface is completely free of threads, cat hair, paint crumbs, etc — or these objects will show up as texture on the fabric.

Caring for Your Tools

Although there are a number of ways to clean brushes (soap and water, solvents, degreasers), my favorite method is to use the Cedar Canyon Textiles Brush Soap. This product is made specifically to clean oil paint from brushes, works great for getting paint out from under fingernails, and even removes paintstik stains from clothing.

Cleaning brushes requires applying the cleaning agent to the brush, and rubbing against a rough surface — the sink trap is handy for this purpose. Rinse, and continue the process until the water runs clear.

Recently, I discovered that using a grubby rubbing plate or stamp as the rough surface cleans both items simultaneously, which speeds up this chore.

Brush cleaning

Simultaneous cleaning of brush and textures

On the Road

Jim and I are always glad to see you in our booth, so please stop by and see us. In addition, I'll be teaching my "Paintstik Inspirations" workshop at the Milwaukee and Madison shows. For complete information, click on the show link.

Quilt Odyssey
July 28-30, Hershey, PA
http://www.quiltodyssey.com

Milwaukee Machine Quilting Show
August 10-13, Milwaukee, WI
http://www.mqtoday.com

Quilt Expo 2010
Sept 8-10, Madison, WI
wiquiltexpo.com

Laura